《布达佩斯大饭店》的精神内涵与电影技巧探析  

Analysis on the Movie Techniques of the Film The Grand Budapest Hotel

作　　者：李笑非[1] 史彩霞[2] 

机构地区：[1]辽宁大学,沈阳110136 [2]河北软件职业技术学院,河北保定071000

出　　处：《河北软件职业技术学院学报》2016年第2期78-80,共3页Journal of Hebei Software Institute

摘　　要：电影《布达佩斯大饭店》是由美国导演韦斯·安德森拍摄的一部关于"人性文明"的充满欧洲文艺气息的影片。安德森以其一贯的大胆和高辨识度的风格完成了这部华丽而又令人黯然神伤的作品,向人们展示了一个已然远去的战前欧洲文明世界,用他那万花筒似的镜头,向逝去的秩序和优雅顶礼膜拜。The movie ＂The Grand Budapest Hotel＂was shot by the American director——Wes Anderson. This film is about humanity and civilization which is full of European literature and art atmosphere. With his consistently bold and recognizable style, Anderson finished this gorgeous but melancholy work to show the leaving world of pre war European civilization and to worship the passing order and elegance with his kaleidoscopic lens.

关 键 词：欧洲文明 人性 隐喻 

分 类 号：I106[文学—世界文学]