身体性经验的政治维度及学科意义——以民歌《高大人领兵》对“同治回民起义”的表征为例  

Body experience as an aesthetic dimension: A study of the representation of the revolt of the Hui people in the period of Emperor Tongzhi in the folk song General Gao Leading an Army

作　　者：强东红[1] 

机构地区：[1]咸阳师范学院,咸阳712000

出　　处：《云南大学学报（社会科学版）》2016年第4期116-122,共7页The Journal of Yunnan University:Social Sciences Edition

基　　金：国家社科基金项目"陕北民歌的审美维度与文化价值研究"(项目号:13BZW026);咸阳师范学院科研资助项目(项目号:11XSYK101)的阶段性研究成果

摘　　要：在当代西方理论呈现出一种政治转向的学术背景下,丰富当代中国美学的政治维度就显得非常必要。在加强政治考量时,美学理论应该关注普通民众的日常生活中的身体感受和身体性经验。从西部民歌《高大人领兵》对"同治回民起义"的表征来看,广大民众的有血有肉的身体可以成为美学理论建设的现实物质基础和美学批评的普遍标准与尺度。It is necessary to enrich the political dimension of the contemporary Chinese aesthetic theory against the West aca-demic background which has experienced a political turn in the theoretic construction.With more political concentration,the aesthetic theory should pay more attention to the body experience of the ordinary people in their daily life.This paper gives an a-nalysis of the representation of the revolt of the Hui people in the period of Emperor Tongzhi in the folk song General Gao Lead-ing an Army,which reveals that the body experience of the ordinary people is a material basis for constructing an aesthetic theo-ry and a general criterion for aesthetic criticism.

关 键 词：审美意识形态 身体性经验 美学的政治转向 同治回民起义 《高大人领兵》 

分 类 号：I01[文学—文学理论]