“影像诗学”概要  

“Image Poetry”: A Survey

作　　者：黎风[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《绵阳师范学院学报》2016年第6期1-5,共5页Journal of Mianyang Teachers＇ College

基　　金：国家社科基金项目"图像文化时代的影像诗学研究"(10BZW021)的阶段性成果

摘　　要：在图像文化时代中,影像逐渐占据了社会文化和艺术生产的核心圈层,成为最具统摄力的媒介形态和表现方式。影像本身和影像的相关问题都亟待获得理论研究的重点关注,同时,以往分门别类的摄影、电影和电视研究需要进一步整合为以影像为整体考察对象的贯穿性研究。本文呼吁在"大影像观"的整体视野中建立"影像诗学"的学科体系。通过对影像观念的描述和对影像实体性的思考勾勒出影像的本体概念。本文对"影像诗学"的理论源流进行大致梳理,预设"影像诗学"的研究领域,确证影像作为诗学研究对象的可能性与可行性。同时对"影像诗学"的研究路径进行初步规划,试图在方法论基础上建立一个整合传统理论、聚焦现实热点、贯穿不同视角的"影像诗学"体系。In the age of picture,movie image has gradually dominated the core zone of social culture and art production,and become the most overwhelming media and means of expressing. The noumenon of movie image and the issue about it require immediate theoretical research,and the previous study on such varied subjects as photography,movie and television should be integrated as a whole from the viewpoint of image. This paper asserts that a subject of image poetry be established from the perspective of ＂ Great movie image＂. This paper analyzes briefly the theoretical basis of ＂ image poetry＂,its research scope,its research possibility and pragmatics. This paper also introduces its preliminary research method,based on which this paper attempts to establish a system of ＂ image poetry＂ to integrate traditional theories,aim at realistic issue and unite various theoretical perspectives.

关 键 词：影像诗学 影像本体 理论扩展 方法论 

分 类 号：J905[艺术—电影电视艺术]