论庄子的“虚静观”在审美活动中的表现  

ON THE MANIFESTATIONS OF CHUANG TZU'S "VOID AND QUIETNESS" IN AESTHETICS

作　　者：曹利[1] 

机构地区：[1]中山职业技术学院艺术设计学院

出　　处：《设计》2016年第15期44-45,共2页Design

摘　　要：《庄子》的美学思想对中国古代美学和艺术理论有着指导性的作用,同时对于艺术设计创作与鉴赏,也有着重大的影响。本文探讨的是庄子美学中的"虚静",其作为生命底蕴的气的一种本原状态。"虚静"观认为人只有虚己忘我,才能与万物同一,得到至善至美的道。本文也通过自己的设计实例充分地说明了这一点。The aesthetic thought of Chuang-tzu plays a guiding role in the theory of Chinese ancient aesthetics and art. Meanwhile, it exerts great influence on the creation and appreciation of art design. This paper explores in Chuang-tzu＇s aesthetics, which is a primitive state of Qi. According to the opinion of ＂void and quietness＂, only by virtual individual can it be unified with all things so as to obtain the spirit of Taoism. This paper also fully illustrates this opinion through design cases.

关 键 词：庄子美学 虚静观 审美活动 

分 类 号：B83-092[哲学宗教—美学] TU986.1[建筑科学—城市规划与设计]