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作 者:陈捷[1]
机构地区:[1]深圳大学师范学院,深圳518000
出 处:《北京舞蹈学院学报》2016年第4期110-115,共6页Journal of Beijing Dance Academy
基 金:教育部青年基金项目<中国汉唐古典舞流派语言形式研究>中期研究成果;深圳大学人文社会科学青年教师扶持项目<汉唐古典舞之语言形态研究>(14QNFC06);深圳大学教学改革研究项目<综合高校舞蹈编导专业素材课程教学模式研究--基于汉唐古典舞专业教材的提炼与优化>(JG2015018)课题研究成果
摘 要:"雅"与"俗"是中国传统乐舞类属和审美内涵的评断标准之一。孙颖先生的汉唐古典舞作品致力于塑造"典型的传统审美形象",从形制到内涵诸多层面力争"接近"传统乐舞的"历史面目"。因此,他的创作包含着中国传统雅、俗之分的文化品评。本文从孙颖先生创作的雅俗观入手,探讨其作品"俗"与"雅"的审美取向。一方面,他以传统宫廷俗乐舞历史形态为主要的创作指向,将民间俗乐舞的语言形式引入古典舞创作,参照民间俗乐舞的生命活力,赋予其古典舞勃勃生机,创作具有崇"俗"的特点;另一方面,他的作品又具有典雅的语言形式,有直抒胸臆的文人情怀,以乐施教的社会价值,创作具有尚"雅"的风范。孙颖先生的作品在崇俗尚雅中,实现了雅俗融通与雅俗共赏。"Elegance and Popularity",which is one of assessment standards of Chinese traditional dance genres and aesthetic connotation. Classical dance of Hantang works of Mr. Sun Yin is trying to shape the image of "typical,traditional,and aesthetical".He was also trying to get closer to the"historical features"of traditional dance in various aspects from forms to connotations. Therefore,his choreography contains cultural judgment of distinguishing "elegance"and "popularity"in Chinese tradition. Through the sense of"Elegance and Popularity" of Mr. Sun Yin’s choreography,this paper analyzes the aesthetic inclination in "elegance" and"popularity"in his dance works. On the one hand,he takes the historical formations of Chinese classical folk dance as his created direction,using the dancing language of classical folk dance to the choreography of Chinese traditional dance. Based on the lively and energetic of classical folk dance,he gives vividness and power to his choreography. So,it can be seen that "popularity"is one of tendency his dance work. On the other hand,as the dancing language form,"elegance ",is also used in his choreography. The sentiments of Chinese literati in direct expression,the social value of teaching with "music and dance ",all of them tend to be"elegance". Finally,in avocations of"Elegance and Popularity",Mr. Sun Yin achieves integration and appreciation of these two parts in his choreography.
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