试论北朝关中造像记祈愿对象及内容所见文化意义  

Analysis of the Cultural Significance of Northern Guanzhong Statues from Object of Prayer and Its Content

作　　者：魏宏利[1] 

机构地区：[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013

出　　处：《宝鸡文理学院学报（社会科学版）》2016年第4期76-79,共4页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：陕西省社会科学基金项目:北朝关中地区造像记整理与研究(项目编号:2014I20)

摘　　要：北朝关中地区造像记中为皇室祈福之辞实质上是对北朝政权强化皇权统治的一种间接反映,同时也与北魏"太武灭佛"有着密切关系。北朝关中造像中存在大量混同佛、道的现象,这与民间信仰轻教理、重实践从而具有一定实用性和灵活性的特点有关。与此同时,北朝关中造像记中所反映的世俗信仰则保持了某种基本的稳定性,其时间可以一直追溯到汉代的铜镜铭文。In essence,the royal blessing words on Guanzhong statues of Northern Dynasties reflect thestrengthening of imperial power in Northern Dynasties. At the same time , there also with uThe emperor Taiwu destroying Buddhism” in the Northern Wei Dynasty. There are a lot of confusionsbetween Buddhism and Taoism in Guanzhong statue inscriptions of the Northern Dynasties, and this has aclose relationship with the characteristics of the folk belief in practicality and flexibility. secular faith reflected in Guanzhong statues of the Northern Dynasties maintains a certain stability, and this can be traced back to the bronze inscriptions in Han Dynasty.

关 键 词：北朝 关中地区 造像记 文化意义 

分 类 号：B94[哲学宗教—宗教学]