萨特的文艺观及其启示  

The Literary View of Sartre and Its Enlightenment

作　　者：殷学明[1] 

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《沈阳工程学院学报（社会科学版）》2016年第3期295-299,共5页Journal of Shenyang Institute of Engineering:Social Science

基　　金：国家社科基金项目(15BZW021);山东省人文社会科学基金项目(15-ZZ-WX-06)

摘　　要：萨特不仅是20世纪著名的文学家,而且也是杰出的评论家。其基本的文学观念是:文学既是自由的,又是干预的。从文学本体的角度来看,文学就是行使自由,因而它是非现实的存在。从文学功能的角度来看,文学就是积极地介入,因而它具有解放的功能。萨特的文学自由论与介入说是对立统一的关系,二者之间并非不可调和。文艺观念蕴含着丰富的诗学观念,加强萨特文艺观研究不仅有助于20世纪西方诗学观念的研究,而且对中国当下的文艺创作以及诗学建设也具有积极的启发意义。Sartre is not only a famous litterateur in 21 th century but also an excellent critic. His basic literature viewis that literature is free as well as intervened. From the viewof literary itself literature wield the power of freedom due to its non-existence in reality. In the perspective of literary function,literature refers to active intervention,which endows the liberation function. The freedom theory of literature proposed by Sartre and the invention theory possess the relation of unity of opposite,which are reconcilable. The literary viewcontains various poetic perspectives. To improve study on literary views of Sartre not only makes contribution to western poetic development but also enlightens the current literary creation and poetry construction.

关 键 词：萨特 自由 介入 非现实 文学观 

分 类 号：B83-0[哲学宗教—美学]