论艺术语言的审美意识  

Aesthetic consciousness of artistic language

作　　者：太琼娥[1] 

机构地区：[1]云南财经大学国际语言文化学院,云南昆明650221

出　　处：《云南师范大学学报（对外汉语教学与研究版）》2016年第5期74-77,共4页Journal of Yunnan Normal University(Teaching & Studying Chinese as a Foreign Language Edition)

摘　　要：艺术的审美意识,是发话主体审美体验的特殊形式,是发话主体在情感强烈时对反映客体情感反映的变异的言语形式,它的特点是超越了现实的意识,成为自由自然的意识。艺术语言的创造是发话主体自由意识的自然性的言语行为,它往往表现为本能的非自觉性和超越性。艺术语言的审美的超越,表现为本能的非自觉性,它的审美意识是非自觉意识,它超越了理性逻辑,合乎情感逻辑。它反映了发话主体的内觉体验。The aesthetic consciousness of art is a specific form of aesthetic experience for the speaker and a variable speech form of the speaker that reflects the object＇s affective reflection when in strong e- motion, which is characterized by its transcendence of the realistic consciousness and becomes a free and natural consciousness. The creation of artistic language, which is often manifested as non-con- sciousness and transcendence, is a natural verbal behavior of the speaker＇s consciousness of freedom. The aesthetic transcendence of artistic language can be manifested as instinctual non-consciousness, and its aesthetic consciousness is of non self-awareness, which transcends rational logic and complies with affective logic, a reflection of the endocept of the speaker.

关 键 词：艺术语言 审美意识 非自觉性 情感逻辑 

分 类 号：J04[艺术—艺术理论]