自由的眼睛、自由的精神与自由的创作  

Free Eyes,Free Spirit and Free Creation

作　　者：王昀[1] 

机构地区：[1]北京建筑大学ADA研究中心,北京100044

出　　处：《北京建筑大学学报》2016年第3期6-15,共10页Journal of Beijing University of Civil Engineering and Architecture

基　　金：北京市哲学社会科学研究基地项目(14JDZHB004)

摘　　要：本文重点探讨了创作与眼睛和观念及精神之间的相互关系,过程中将"自由的眼睛"作为切入点,以自由的精神为思考和观察对象物的基本,探讨了其彼此间的连带关系.文中以自由的眼睛分别地审视那些看似表面上与建筑不相关联的音乐、绘画、书法,甚至那些被丢掉的"垃圾",发现这一切可以与建筑相关联的空间语言.本文希冀对建筑创作思路的开启奉献一个有效的支撑点和进行创作的手段.The correlation between creation and eyes, concepts as well as spirit is discussed in this paper. The relationship of creation and the others are explored through free eyes being set as the entry point, free spirit being put as basic starting point of contemplating and observing objects. In this paper, the re-examination of music, painting, calligraphy, and even discarded junks that are seemingly unrelated with architecture was conducted respectively via free eyes, so as to find their spatial languages in association with architectural design. Hopefully this can be a way to provide effective support and creative methods for architecture.

关 键 词：斗拱 音乐 书法 绘画 废物 

分 类 号：TU85[建筑科学]