“中和”“意境”“气韵”——浅析中国钢琴演奏艺术中的传统美学思想  

The Golden Mean and Harmony,Artistic Conception,and Lingering Charm——A Brief Introduction of the Traditional Aesthetics in Chinese Piano Performance

作　　者：李田甜[1] 

机构地区：[1]黄淮学院音乐学院,河南驻马店463000

出　　处：《信阳师范学院学报（哲学社会科学版）》2016年第6期96-99,共4页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：2015年度河南省教育厅人文社会科学研究项目(2015-ZD-175);国家社科基金后期资助项目(14FYS009)

摘　　要：中国钢琴音乐作品的创作在中国传统文化的熏陶和孕育下产生,受到传统美学和审美形态的影响,在其演奏中也必然会映射出中国传统艺术文化中的民族精神和民族性格。"中和""意境""气韵"作为中国传统美学思想中的精髓已成为一种精神内涵根植于中国钢琴作品的创作和演奏艺术当中。Edified and incubated by Chinese traditional culture , Chinese piano composition is created under the influence of the tradi-tional aesthetics and the aesthetic forms , so its play and performance will also reflect the national spirit and character in Chinese tradi -tional art and culture .As the essence of Chinese traditional aesthetics , the golden mean and harmony , artistic conception and lingering charm have become a spiritual connotation deep into the creation and performance of Chinese piano composition .

关 键 词：中国钢琴 传统美学 中和 意境 气韵 

分 类 号：J624.1[艺术—音乐]