冯友兰的文艺本体论  

Feng Youlan's Ontology of Literature

作　　者：赵永君[1] ZHAO Yong-jun(School of Liberal Arts , Soochow University, Suzhou 215123 , China)

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《河南科技大学学报（社会科学版）》2016年第6期37-42,共6页Journal of Henan University of Science & Technology(Social science)

摘　　要：哲学与诗学如同脉之水,二者虽分支不同却有着内在精神的互通。冯友兰站在哲学的高度对文艺予以提撕剖析,使文艺的阐释具备了哲学的深度,形成了他独特的哲性诗学观。作为现代新儒家的一座重镇,冯友兰从传统文化中汲取养分,在对文艺本体的追问过程中体现出对儒家道统的继承。但其对文艺作品的本然样子、技进于道,以及对"道"内涵的丰富与延伸等饱含哲思的阐发,使他的诗学观让人耳目一新。Philosophy and poetics are just like the water from the same source,though belonging to different disciplines,yet there are common grounds for their inner communication. Feng Youlan interpreted literature from a philosophical perspective,endowed literary interpretation with philosophical profoundness,and hence shaped his unique philosophical outlook on poetics. As one of the most important figures in modern NeoConfucianism,Feng Youlan got nutrients from traditional Chinese culture,and that reflected his inheritance of Confucianism and Taoism on the way to seek literature ontology. The sense of naturalness in his literary works explained the fact that skills lead to truth and widened the connotation of Tao. All these philosophical interpretations made his outlook on poetics innovative.

关 键 词：冯友兰 诗学观 文艺本体论 哲学与诗学 

分 类 号：I0-02[文学—文学理论]