舞蹈审美矛盾探微  

Exploring Aesthetic Contradiction of Dance

作　　者：高志毅[1] 

机构地区：[1]山东师范大学音乐学院,山东济南250014

出　　处：《解放军艺术学院学报》2016年第3期184-187,共4页Journal of PLA Art Academy

基　　金：教育部人文社会科学研究青年基金项目"综合性大学舞蹈编导课程设计和教学策略的研究"(编号:15YJC760031);山东省本科高校教学改革研究项目"综合性高校舞蹈编导课程体系创新研究"(编号:2015M156)的阶段性成果

摘　　要：人类情感的主观性和自发性扰乱了舞蹈审美感性与理性的关系。相互排斥的古典两分法思想影响了审美标准的界定与人们的审美交流。舞蹈的美学意义与观众的审美品质之间是合乎逻辑的关系而非因果推理。在尊重舞蹈审美个性的同时,还应关注审美主体的综合背景以及行业惯例和传统社会风俗。尽管没有应对各种表演艺术的标准反应机制,但基于人们共同的生活体验模式,舞蹈审美活动得以顺利进行。The subjectivity and spontaneity of human feelings perturb the relationship between the sensibility and reasonability of the aesthetics of dance. The contradicting classical dichotomy approach affects defining aesthetic standards and humans＇ aesthetic communication. The relationship between the aesthetic significance of dance and the aesthetic quality of audience is logical not reasoning. Therefore, while the aesthetic individuals of dance should be considered, the comprehensive background of aesthetic subjects, conventions of the profession, and traditional social customs should also be focused. Although there is no standard responding mechanism for various performing arts, the aesthetic process of dance can be carried out smoothly due to humans＇ common modes of life experience.

关 键 词：舞蹈美学 审美品质 主观性 艺术反应 

分 类 号：J701[艺术—舞蹈]