“白贲”美学观之于文学艺术实践  

Aesthetic View of“Bai Ben”in Literary and Artistic Practice

作　　者：丁梦[1] 耿菲菲[2] 

机构地区：[1]四川大学文学与新闻学院,四川成都610207 [2]黑龙江大学应用外语学院,黑龙江哈尔滨150080

出　　处：《绥化学院学报》2016年第12期113-117,共5页Journal of Suihua University

摘　　要：作为《周易》的爻辞,"白贲无咎"在解读和认识的历史过程中已经嬗变和积淀为一种美学观念,推崇返璞归真、自然和谐、趣味高雅的审美境界。"白贲"美学观以多样的形式蕴含于东西方古今文学艺术实践当中,协调了追求美的无极与表达方式的有限,穿透了千年历史、诸多文化,已经内化为中国文化的一段基因,乃至影响到人们的世界观、人生观、价值观,以及思维方式和生活方式,散发着经久不衰、历久弥新的魅力。As a line in the Book of Changes, Bai Ben＇s Harmlessness has evolved and accumulated as a kind of aesthetic idea in the historical process of interpretation and cognition, and esteems the aesthetic realm of returning to nature, harmony and elegance. ＂Bai Ben＂ aesthetics embodied in a variety of forms in the East and the West in ancient and modem literature and art practice, which coordinated the limitless pursuit of the beauty and the limited expression of the way through the millennium history. And through many cultures it has been translated into a gene in Chinese culture, and even affects people＇s world outlook, outlook on life, values, and way of thinking and way of life, with enduring, timeless charm.

关 键 词：爻辞 白贲美学 文学 艺术 实践 

分 类 号：I01[文学—文学理论]