抗战时期桂林文化城美术活动述略——桂林文化城研究系列论文之二  

A Survey of the Fine Arts Activities in Guilin Cultural City during AntiJapanese War:the Second Assay within a Series of Study on Guilin Cultural City

作　　者：黄伟林[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《贺州学院学报》2016年第4期13-16,共4页Journal of Hezhou University

基　　金：广西第三批特聘专家"广西师范大学广西抗战文化暨桂林文化城研究"岗位(2014B014);广西2015年度文化精品项目;广西人文社会科学发展研究中心哲学社会科学服务地方经济社会发展特色基地桂林抗战文化研究与教育实践基地阶段性研究成果

摘　　要：抗战时期桂林文化城持续十多年的美术历史,至少留下了三大财富:首先,对国家民族而言,美术家们用他们的美术工具投身于抗日救亡运动,显示了他们的人格力量和文化担当;其次,对现代美术而言,大批美术家与桂林山水的相遇,使桂林山水终于在中原山水和江南山水之后,成为20世纪中国画最重要的山水原型;再次,对于广西而言,抗战时期桂林文化城的美术运动,开启了广西的现代美术教育。The fine arts activities in Guilin Culture City during anti-Japanese War had lasted more ten years,remained cultural treasure in three aspects： first of all,artists＇ engagement into the anti-Japanese War with their artistic tool and talents indicated artists＇ power of personality and cultural accountabilities;secondly,landscape of Guilin became one of the most important landscape prototypes （central plain landscape and landscape of the southern of the Yangtze River）of Chinese painting in 20th century,due to so many artists gathered in Guilin City;thirdly,The fine arts activities in Guilin Culture City during anti-Japanese war Initiated the modern fine arts education in Guangxi.

关 键 词：抗日战争 桂林文化城 美术 

分 类 号：K265[历史地理—历史学]