《美国戏剧》中的多重历史意识  

作　　者：张琳[1] 

机构地区：[1]山东省曲阜师范大学外国语学院

出　　处：《英美文学研究论丛》2016年第1期226-238,共13页English and American Literary Studies

基　　金：作者主持的山东省社科规划项目“英美荒诞派戏剧中的丑角新论”(项目编号14CWXJ68)的阶段性成果;曲阜师范大学外国语学院“外国语言学理论及应用研究科研创新团队”的资助

摘　　要：在《美国戏剧》中,苏珊一洛莉·帕克斯借助一个游戏和一个文物展厅剖析了当下普通人对历史的认知和态度。在这部戏剧中,帕克斯超越了所谓＂族裔作家＂的写作题材范畴,聚焦普遍意义上、包括黑人在内的普通民众的历史意识。具体说来,剧中人物主要通过娱乐历史、修正历史和虚拟历史等表征途径表达出各自对历史的理解。剧中包含的多重历史意识一方面揭示了历史的复杂性,另一方面为观众审视历史和社会提供了诸多有启发意义的思考。In The America Play, Suzan-Lori Parks employs a game and an exhibition hall of historical relics to explore how common people perceive history. In this play, Parks transcends the traditional topics of the so-called ＂ethnic minority writers,＂ and focuses on the historical consciousness of common people in general, with black people included. More specifically, the characters in the play present their own understanding of history by means of playing history, redressing history, and making up history. The multiple layers of historical consciousness in this play not only reveal the complexity of history, but also provide the audience with inspiring ideas to perceive history and society.

关 键 词：苏珊-洛莉·帕克斯 《美国戏剧》 历史意识 

分 类 号：I712.073[文学—其他各国文学]