朱光潜诗歌阅读理论蠡测——兼谈推进中国传统诗歌的理论研究  

A Preliminary Inquiry into Zhu Guangqian's Theory of Poetry Reading

作　　者：张旭曙[1] 

机构地区：[1]复旦大学中文系

出　　处：《中国文化研究》2017年第1期124-135,共12页Chinese Culture Research

摘　　要：朱光潜诗论的实质是研究富于创造性的阅读活动,其核心内容是诗境,即情趣和意象的交融而创造的超时空的理想世界。"见"的创造性着重于意象,"诵"的创造性体现在情趣。朱光潜诗歌阅读理论给予传统诗论命题"意在言外"的内涵与特点以新颖的语言学的解释,用"无言之美"为读者的无限的想象活动奠定人生论、宇宙论的根基;又对诗歌理解活动中的难懂(隐)易懂(显)及情趣上的个别差异作了心理学的分析。超越朱光潜诗论,推进中国传统诗歌的理论研究,应当对建立诗学科学的形上学(宇宙论)、认识论(主—客关系)、语言论的基础及三者之间的错综复杂关系进行详实的论述。The main subject of Zhu Guangqian＇ s poetics is the ＂ creative reading activity＂. Its central point is to explore the world of poetry, i.e. a spatiotemporally ideal world created by the fusion of images and affections. The creativity of intuition lies on the side of images, while the creativity of recitation concentrates on the side of affections. Zhu Guangqian＇s theory of poetry reading, from the perspective of linguistics, gives a novel explanation of the connotation and characteristics of a well-known doctrine of traditional Chinese poetics, which means that the ideas are beyond the expression of words, laying a foundation of cosmology and philosophy of life for the reader＇ s infinite imagination through the doctrine of the speechless beauty. Furthermore, Zhu Guangqian made close analyses of the phenomena of the implicit and the explicit and individual differences about the process of reading. This essay holds that we should make complicated triangular relationships among metaphysics reader＇s affections during the a thorough exposition of very （ cosmology ）, epistemology （subjective-objective relationship） and philosophy of language in order to go beyond Gungqian＇ s poetics and carry the research of traditional Chinese poetry to a new stage.

关 键 词：诗境 创造性的“见” 诵诗 无言之美 显与隐 超越朱光潜诗论 

分 类 号：I207.2[文学—中国文学]