论敦煌变文骈句的个性与功能  

On the Characteristics and Functions of the Parallel Sentences in Scriptural Tales from Dunhuang

作　　者：许松[1] 程兴丽[1] XU Song CHENG Xingli(College of Liberal Arts, Shaanxi University of Technology, Hanzhong, Shaanxi 72300)

机构地区：[1]陕西理工大学文学院,陕西汉中723000

出　　处：《敦煌研究》2017年第1期111-119,共9页Dunhuang Research

基　　金：2014年度国家社会科学基金项目"敦煌变文文学与文化研究"(14CZW020)

摘　　要：敦煌变文中频繁地使用了骈句,与传统骈文相比较,它的特点体现在驰骋才气的长句对仗;匠心密运的错综对;语言平易流畅,基本不用典故,文字浅显易懂;对仗不精切;对仗触犯了禁忌。变文骈句在文中的作用体现在四个方面:摹状人物,渲染场景;直接推动故事情节的发展;提升变文的文学韵味;有助于记诵。变文没有排斥骈文的必要,相反,还可以吸收骈文的长处为我所用。Parallel sentences were frequently used in the scriptural tales of Dunhuang. Compared to traditional rhythmic prose, this style of writing is characterized by long, flowing parallel sentences, a complex crafting of antithesis within lines, the use of smooth and plain language free of literary allusion, and the forgoing of precision and taboo. The use of parallel sentences in scriptural tales is mainly observable in the following four aspects： de- scribing persons and rendering scenes; directly advancing the development of the storyline; upgrading the literary charm of the tales; and helping with memorization. There is no reason for scriptural tales to exclude this type of parallel prose, which israther a technique any author might use to advantage.

关 键 词：敦煌 变文 骈文 

分 类 号：I207.7[文学—中国文学]