魂山寄忆——藏区神山民族志影片摄制过程中的地境情感、生态审美及心境张力  

Ensouling the Mountain——Topophilia,Eco-aesthetics and Visceral Tensions in Filming a Tibetan Sacred Mountain

作　　者：郁丹[1] 王玥玮[2] 

机构地区：[1]云南民族大学,云南昆明650500 [2]中央民族大学,北京100081

出　　处：《青海民族研究》2017年第1期40-47,共8页Qinghai Journal of Ethnology

基　　金：国家社科基金项目<"一带一路"战略背景下环喜马拉雅生态与文化多样性研究>阶段性成果;批准号:15BMZ070

摘　　要：本文以田野叙事来研讨一部民族志电影制作的失败原因,其侧重点是置影片于青海省果洛州阿尼玛卿神山的前期拍摄过程,用意是在于凸显民族志田野元素和结构的复杂性,从而在人类学对表征问题的研讨语境下提出影像和文本应该是平行的、共存的。通过对拍摄过程的反思,强调民族志无论是由文字撰写还是用影像设备勾画而成都是一类多维度的文本(multiscape text),其中心论点是民族志电影或文本是一张地境(landscape)与心境(mindscape)相连的情感地形图。This article discusses the causes to the failure of a visual anthropology project through the author＇s ethnographic narratives. It focuses on the preproduction process of a documentary film concerning Mt. Amne Machen in Golok, Qinghai Province for the purpose of highlighting the complexity of ethnographic filmmaking with all natural and cultural factors considered. In the context of representation politics in anthropology, this article discusses how visual and literary ethnographical accounts are parallel and co-exist with one another, and argues that both visual and written ethnographies are multi-scape texts that are interwoven with landscape and mindscape.

关 键 词：影视人类学 电影眼 心境-地境情感 生态审美 

分 类 号：C958[社会学—民族学]