复调:巴特与巴赫金理论上的对话  

Polyphony:A Dialogue between Barthes and Bakhtin

作　　者：徐雁华[1] 王永祥[1] 

机构地区：[1]南京师范大学外国语学院

出　　处：《俄罗斯文艺》2017年第1期105-109,共5页Russian Literature & Arts

基　　金："江苏高校优势学科建设工程二期项目"的研究成果(优势学科代码:20140901)

摘　　要：罗兰·巴特是法国著名的文学理论家与批评家、符号学家;米哈伊尔·巴赫金是著名文艺学家以及世界知名的苏联解构主义符号学的代表人物之一。两人同为20世纪著名的符号学家、理论家,巴特的文本分析理论与巴赫金的对话理论都给后人留下了许多宝贵的理论财富,多年来吸引着无数国内外学者们对其理论进行探究及引申应用。由于两人来自不同的国度,且研究的方向也不尽相同,因此多年来研究巴特和巴赫金两位大师的学者们虽不尽其数,但将两位大师的理论进行比较联系与分析的却不多。本文力图寻找巴特文本分析理论与巴赫金对话理论之间的关联性,从而揭示巴特的文本分析理论中的复调性,并进一步探讨复调性对巴特文本理论之启示。Roland Barthes is a famous literary theorist, critic, and a semiotician while Mikhail Bakhtin is a well-known literary artist and one representative figure of the Soviet destructnralist semiotics. Both of them are theorists and semioticians in the 20th century. Barthes＇ s theory of text analysis and Bakhtin＇ s dialogism have left a valuable asset for our future generations, which attracts a large number of scholars to explore their theories. Over the years, most of the researches have tended to isolate the two theories due to their different nationalities and research directions, but few of them have attempted to connect them. This paper aims to look for some connections between these two theories. Then it tries to further discover whether the thought of polyphony exists in Barthes＇ s theory of text analysis and what its counter-acting force is to Barthes＇ s theory.

关 键 词：复调 巴特 巴赫金 符号学 对话 

分 类 号：I045[文学—文学理论]