多维视野中的文化碰撞和现实生活的悖逆——赵德发长篇小说新作《人类世》的一种审美解读  

Multi-dimensional Perspective of the Cultural Collisions and Real Life's Disobedience: An Aesthetic Interpretation on Zhao defa's Novel Anthropocene

作　　者：刘荣林[1] LIU Ronglin(College of Chinese Language and Literature, Hunan Institute of Science and Technology, Yueyang 414006, China)

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006

出　　处：《云梦学刊》2017年第2期104-107,共4页Journal of Yunmeng

摘　　要：如果以赵德发农民小说"三部曲"创作而言,可以说赵德发是一位农民小说作家。然而随着他的长篇小说《双手合十》《乾道坤道》问世,我们更应该说他是一位"文化小说作家"。而到了他的又一部长篇小说《人类世》出版,我们更应说他是一位"文化人类学"小说作家。在"文化人类学"艺术展现中,深深积淀着作家多维视野中的文化碰撞和现实生活的悖逆理性思考。通过对小说中主要人物形象的塑造和对现实社会经济、科学发展的描绘,表达了作家强烈的"人类世"将终结的忧患意识。In terms of Zhao Defa＇s farmer fiction ＂trilogy＂, Zhao Defa is a farmer writer. However, with the publication his novel Folded Haruts and Theory of Qian Kun, we should say he is a ＂cultural fiction writer＂. And after the publication of Anthropocene, we＇d better say he is a ＂cultural anthropology＂ fiction writer. Writer multidimensional view of culture collision and rebellious rational thinking in the real life deeply accumulate in art show of ＂cultural anthropology＂. And through the image shaping and depiction of realistic development of social economy, this novel shows the writer＇s suffering consciousness that ＂anthropocene＂ will be terminated.

关 键 词：人类世 文化碰撞 生活悖逆 忧患意识 赵德发 

分 类 号：I206.7[文学—中国文学]