阿甘本文论视野中的诗与哲学之争  

The Quarrel between Philosophy and Poetry in Agamben's Literary Horizon

作　　者：蒋洪生[1] Jiang Hongsheng(Literature at Duke University, U. S.A. comparative literature at Peking University,Beijing 100000, China)

机构地区：[1]北京大学中文系

出　　处：《文艺理论研究》2017年第2期129-140,共12页Theoretical Studies in Literature and Art

基　　金：教育部留学回国人员科研启动基金资助项目的阶段性成果

摘　　要：长期以来,诗和哲学的分离在西方文化中被视为一种自然的事情,但阿甘本认为两者的分裂造成了严重的问题,是西方文化精神分裂症的表现:主体无法"完全拥有知识之客体",无法经验人性的完整性,从而导致了自我和文化的异化。为了处理诗与哲学交恶的问题,阿甘本致力于倡导一种融批评与创造为一体的创造性批评,以此来重新恢复西方文化中碎片化语词的统一性。汇聚包括诗和哲学在内的所有人文科学,促成一种没有特定研究客体的"跨学科的学科",在阿甘本心中,是来临中的一代人的重要文化任务。The split between philosophy and poetry has long been accepted as natural in Western culture. Agamben maintains that this scission actually engendered serious problems. It is a manifestation of the schizophrenic character of Western culture： the subject cannot fully possess the object of knowledge and experience the wholeness of humanity, leading to alienation of the self and culture. In addressing the old enmity between philosophy and poetry, Agmaben proposes a kind of creative criticism, which joins together criticism and creation, to recover the unity of the fragmented word in Western culture. In Agamben＇s view, the development of an ＂interdisciplinary discipline＂ without a specific object, in which all the human sciences converge, is the cultural task of the coming generation.

关 键 词：阿甘本 诗与哲学之分 精神分裂症 界阈 创造性批评 

分 类 号：I052[文学—文学理论]