中国传统造物图案纹样类型与含义研究  

Types of Traditional Chinese Patterns and their Implications

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院,江苏南京210018

出　　处：《艺术百家》2017年第1期139-149,192,共12页Hundred Schools In Arts

基　　金：2016年度教育部人文社科基金项目"中国图案学研究"(项目编号:16YJA760013)阶段性成果之一

摘　　要：中国图案纹样以庙底沟彩陶纹样为发端,开启了中国图案纹样及图案学之门。远古时期造物器的图案纹样并非是为了满足远古人类审美的需要而为之,图案纹样作为审美对象是逐渐发展起来的意识与观念,也就是从图案纹样演变到图案装饰这样一个复杂的图案化的过程。即有一个图案类型化的复杂演变过程。依据中国传统造型器物图案纹样表现的对象,有的类型比较模糊,确定起来比较困难。但可大致分为这样几种类型的图案:人物图案纹样,动物图案纹样,植物花草图案纹样,自然现象图案纹样和几何形图案纹样。前三类相对比较"具象",后两类相对比较"抽象",有些模糊难定。这些不同的类型不但体现了人类与自然的关系,而且具有不同文化含义或象征意义的表达。Miao Di Gou colored pottery patterns opened up the chapter of Chinese patterns and studies of patterns. In ancient times, patterns on utensils did not designed for satisfying people＇ s aesthetic needs. A pattern as an aesthetic object is consciousness and concept developing gradually. That is to say, there is a complex course in which pattern evolves to pattern decoration. And this is a complex evolvement course of pattern categorization. According to objects represented in traditional Chinese utensils, some are difficult to be categorized. However, we could generally divide them into figure pattern, animal pattern, plant pattern, patterns of natural phenomena, and patterns of geometric shapes. The former three are comparatively concrete, and the later two are comparatively abstract. These different types not only reflect the relationship between human and nature, but also have different cultural implications and symbolic significance.

关 键 词：艺术学理论 艺术史 图案纹样 图案类型 图案隐喻 审美 造物艺术 

分 类 号：J20[艺术—美术]