接受美学视域下的延安时期读者群与文艺创作关系刍议  

On the Relationship Between Readers and Literary and Artistic Creation in Yan'an Period from the Perspective of Accepted Aesthetics

作　　者：王俊虎[1] 邱跃强 WANG Jun-hu QUE Yue-qiang(School of Chinese Language and Literature, Yan＇an University, Yan＇an 716000, Shaanxi)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《延安大学学报（社会科学版）》2017年第2期47-51,77,共6页Journal of Yan'an University (Social Sciences Edition)

基　　金：国家社科基金项目"陕西文学对延安文学的承传与发展研究"(12XZW020);陕西省高水平大学建设专项资金资助项目"中国语言文学"(2013SXTS01)

摘　　要：读者群和文艺创作之间一直有着紧密的联系,延安时期的读者群与文艺创作之间的关系显得尤为紧密,这与延安时期文艺的特殊性密切相关。延安时期的文艺活动带有鲜明的政治色彩,特别是在1942年延安文艺座谈会以后,文艺要为工农大众服务的导向决定了文艺工作者的创作方向和服务人群;特殊的战时环境,要求文艺为战争服务,而文艺非常明显的功效就是要团结全国人民,战胜日寇。延安时期的读者群对当时的文艺活动产生了重要的影响,一定程度上影响和决定了文艺创作的途径、文艺创作的主体、文艺的形式、内容等。There has always been a close relationship between readers and literary and artistic creation, especially in Yan＇an period ,due to the particularity of that period in which the literary and artistic activities had a distinct politi- cal color especially after the Literary and Artistic Forum in Yan＇an in 1942. It determined the direction of creation and targeted population of literary and artistic workers that literature and art should been guided by the principle of serving for the workers and peasants. The special warring circumstance required that literature and art should serve the war,while the direct effect of literature and art is to unit all the Chinese people together and fight against the Japanese aggressors. Readers of Yan＇an Period have a great influence on the literary and artistic creation of that pe- riod and to some extent,also influenced the way,the subject, the form and the content of literary and artistic crea- tion.

关 键 词：接受美学 延安时期 读者群 文艺创作 创作主体 

分 类 号：I101[文学—世界文学]