创造性想象何以可能?——康德美学的现象学阐释  

A Possible Role of Creative Imagination A Phenomenological Hermeneutics of Kant's Aesthetics

作　　者：苏宏斌[1] 

机构地区：[1]浙江大学中文系,浙江杭州310028

出　　处：《西北大学学报（哲学社会科学版）》2017年第3期10-16,共7页Journal of Northwest University：Philosophy and Social Sciences Edition

摘　　要：创造性想象力是康德美学中的一个重要范畴,他主张这种能力能够帮助艺术家把不可见的理性理念转化为可以直观的艺术形象。这一命题对于我们理解艺术创作的奥秘有着重要启示,然而在康德美学中却并没有得到展开,在学界的相关研究中也未得到充分的关注。本文认为,现象学的本质直观理论有助于我们理解和完善康德的这一命题。从这种理论出发,我们把图式看作直观活动的产物,因而图式不再局限于认识领域,在审美和艺术活动中也有着重要的作用。正是通过图式的中介作用,艺术家才得以完成从理性理念到感性形象的转化过程。As a very important element in Kant＇s aesthetics, creative imagination aims to help the artists to turn rational notions into intuitive artistic images. This proposition, though boasting an important implication in understanding the artistic creation, is neither profoundly presented in a bigger picture in Kant＇s aesthetics, nor arrested adequate attention in related researches from the academic circle. The paper believes that the nature and intuitive theory shed much light on the understanding and improvement of it. Starting from this theory, schema, as the product of people＇s intuitive practices goes beyond cognition field and also plays a significant role in aesthetic and artistic activities. It is because of its function of being a medium, the artists fulfills the transformation of rational notion to intuitive image

关 键 词：图式 先验想象力 创造性想象力 本质直观 

分 类 号：B83[哲学宗教—美学]