阿诺德·伯林特的环境美学观与中国传统生态思想  

On Arnold Berleant's Environmental Aesthetics and Traditional Chinese Ecological Thoughts

作　　者：岳芬[1] 

机构地区：[1]苏州大学文学院,江苏苏州215021

出　　处：《中州大学学报》2017年第1期82-84,共3页Journal of Zhongzhou University

基　　金：江苏省2015年度普通高校研究生科研创新计划项目(KYZZ15-0340)

摘　　要：在当代众多的环境美学家中,阿诺德·伯林特是最为关注中国传统生态思想和生态智慧的学者之一。他试图在东方智慧中寻求某种路径来解决西方环境美学面临的问题,尤其是在环境美学遭遇悖论时,由东方生态智慧拓展环境美学的视野,重新建构自然的地位以及人与自然的关系。他尤其关注中国园林中的美学思想,他认为:中国传统美学并不完全接受西方所谓的环境美学的概念,中国园林是中国传统文化对自然美的具化;中国园林更接近生态美学的理想,中国美学不仅是对环境美学的某种超越,而且也体现了一种综合的生态审美观。Arnold Berleant is one of the environmental aestheticians who pays close attention to traditional Chi-nese ecological thoughts and wisdom. He tries to find a way to tackle the problems of western environmental aesthet-ics through oriental wisdom. Especially, in the environmental aesthetics paradox, he tries to expand the perspective of environmental aesthetics by exploring the ecological wisdom of the East, reconstruct the natural status and the re-lationship between human and nature. He pays particular attention to the aesthetic thoughts in Chinese gardens, and he believes that traditional Chinese aesthetics is not totally accepted by the western concept of environmental aesthetics. Chinese garden is the embodiment of natural beauty in traditional Chinese culture. Chinese garden is more closer to the ideal of ecological aesthetics. Chinese aesthetics is not only something beyond environmental aes-thetics ,but also a comprehensive ecological aesthetics.

关 键 词：阿诺德·伯林特 环境美学 生态思想 中国园林 

分 类 号：B834[哲学宗教—美学]