南北文风融合辨——兼及“南北文风”的中古文学史考察  

Discussing the Fusion of Southern and Northern Writing Styles——Concurrently on probing into their styles of ancient Chinese history on literature

作　　者：雷炳锋[1] 

机构地区：[1]渭南师范学院人文学院,陕西渭南714099

出　　处：《学术交流》2017年第6期191-196,共6页Academic Exchange

基　　金：2013年国家社科基金西部项目"北朝文学思想史"(13XZW006);渭南师范学院2015年人文社科类人才基金项目"地域文化与秦东古代文学研究"(15SKRC02)

摘　　要："南北文风融合说"经初唐史学家提出后遂沿用至今,成为文学史与文学思想史研究领域的一个热点话题。但这一传统说法有值得商榷之处,北朝文学一直模拟和学习南朝文学,二者之间无本质差异,北朝文学实际上并未形成与南朝文学并峙的所谓"北方文风",习惯上用以指代"北方文风"的"词义贞刚,重乎气质"乃"汉魏风骨"的内核。初唐史学家所提出的"南北文风融合说"是一种带有理想色彩的审美主张,由于忽视了其时文学的实际状况,而将北朝文风与"北方文风"等同起来,陷入了理论困境而缺乏具体的实现路径。至于被誉为"穷南北之胜"的庾信后期文风转变主要是其内心的情感世界发生改变所致,也是其取法汉魏文学传统的结果,并非北朝文风与南朝文风的融合。＂The fusion of the southern and northern writing style＂ initially proposed by the historians of the Tang Dynasty has been studied up to now and seems to be a hot issue in the research fields on literary history and the history of literary thoughts. However, this traditional statement deserves further discussion, for the literature of the Northern Dynasties had long been stimulating and studying that of the Southern, and they made no differences in nature. In fact, the northern literature failed to form the so-called ＂northern literary style＂ against the southern one, and usually referred to the core featuring ＂the vigor of style from the Han and Wei Dynasties＂. The theory of ＂southern and northern style fusion＂ proposed by the historians of the early Tang Dynasty represented a kind of aesthetic ideals, but in such ignorance about the situations at that time, they treated the literary style of the Northern Dynasty equally as ＂the northern writing style＂ which led them to a theoretical dilemma of finding the realistic paths. During the later conversion of literary style, Yu Xin had experienced the changes of his inner emotion and employed the traditional literatures of the Han and Wei Dynasties instead of his fusing writing styles of the northern into the southern dynasties.

关 键 词：南北文风 北方文风 北朝文风 融合 庾信 汉魏风骨 

分 类 号：I206.2[文学—中国文学]