“朝野离立”背景下的诗学论争:沈德潜与厉鹗关系辨  

Poetic Debate under the Background of “Chao-Ye-Li-Li”:For the Study of the Relationship between Shen Deqian and Li E

作　　者：吴华峰[1] WU Hua-feng(School of Literature,Xinjiang Normal University, Urumqi 830017 ,China)

机构地区：[1]新疆师范大学文学院,乌鲁木齐830017

出　　处：《哈尔滨工业大学学报（社会科学版）》2017年第3期65-69,共5页Journal of Harbin Institute of Technology(Social Sciences Edition)

摘　　要：沈德潜与厉鹗是雍乾时期在朝诗人与在野诗人的代表,他们之间的关系也是清代诗史中"朝野离立"诗学特点的典型。沈德潜与厉鹗于雍正九年共入《西湖志》志局时相识,彼时二人诗学观虽有分歧,但相处融洽。随着乾隆年间沈德潜地位的不断提高,他开始公开指责厉鹗偏于宋调的创作方式,并最终通过《国朝诗别裁集》的评选,将厉鹗诗歌纳入自己宗唐的诗学体系。Shen Deqian and Li E is Court poet and Poor Scholar poet＇s representative of Yongzheng and Qianlong period, and the relationship between them is also reflecting the typical poetic characteristics of ＂Chao -Ye-Li-Li＂ in the Qing Dynasty. Shen Deqian and Li E got to know each other in Yongzheng nine years when they both entered into the compiling and editing Xi Hu Zhi. Although there were differences in the view of po- etics between the two persons at that time, they got along well. With the continuous improvement of the status in Qianlong period, Shen Deqian began to denounce Li E＇s creation way which tended to ＂Song poetry＂. He e- ventually pulled Li E into his own poetics system of ＂zong tang＂ by editing Qing Shi Bie Cai Ji.

关 键 词：朝野离立 厉鹗 沈德潜 诗学论争 

分 类 号：I206[文学—中国文学]