论小说翻译中的阐释差异性——以克莱恩《新娘来到黄天镇》的三种汉译为例  

On Difference of Interpretation in Fiction Translation——A Case Study of Three Chinese Versions of the Bride Comes to Yellow Sky

作　　者：柴鲜[1] 彭治民[1] 

机构地区：[1]商洛学院人文学院,陕西商洛726000

出　　处：《商洛学院学报》2017年第3期56-61,共6页Journal of Shangluo University

基　　金：商洛学院科研基金项目(13SKY021)

摘　　要：文学作品是社会文化的承载媒介,跨文化的小说翻译就是对源语文化语境的理解和阐释。以美国十九世纪末期作家斯蒂芬·克莱恩的短篇小说《新娘来到黄天镇》三个汉译译文为例,从小说表层的叙事结构、深层的源语境文化与隐含在表层下的作家个性等三个方面,展示出不同译本在小说叙事表层、文本深层结构、作者角色等方面呈现出的差异性,以此揭示小说文本在翻译过程中对源文本文化阐释的重要性。How to understand and interpret for the cultural context of the source language are the foundations of fiction translation because literary works always contain some special aspects of social culture. As to the example of three Chinese translations to The Bride Comes to Yellow Sky written by Stephen Crane in America at the end of 19th century, it proposes that how to achieve the cultural interpretation from the source text in the process of translating the fictional text by three dimensions such as narrative structure, the source context and the writer＇s personal style, and so on. The paper shows the difference of different versions in the narrative surface of the fiction, the deep structure of the text, the role of the author in order to reveal the importance of the text of the fiction in the process of translation of the source text culture.

关 键 词：小说翻译 文化阐释 叙事 历史语境 作家风格 

分 类 号：I206.7[文学—中国文学]