西南田野创作社的公共艺术实践  

Public Art Practice by Southwest Field Club

作　　者：曾令香[1] 

机构地区：[1]四川美术学院

出　　处：《公共艺术》2017年第3期36-41,共6页Public Art

摘　　要：公共艺术如何面对中国当下现实?如何介入中国鲜活的社会现场?公共艺术是否可以用当代艺术的审美范式来重塑人与人、人与社会、人与场所的关系?为了回应这些问题,2014年,四川美术学院的西南田野创作社成立,并在西南乡村古镇持续开展了丰富多彩的在地创作。本文以西南田野创作社的公共艺术实践为研究对象,探索了公共艺术的田野创作、社会介入与在地创作的新方法。西南田野创作社的创作不受甲方委托,都是自发的行为,其意义在于寻求与现场的自然而特别的对话关系。How to face the China＇s reality？ How to integrate into society？ Is it possible to rebuild the relationship between human, human and society, human and space through contemporary artistic aesthetics mode？ These are the questions that public art should face and solve. In 2014, a club has been set up in Sichuan Academy of Fine Arts, Chongqing. It is called Southwest Field Club and has been made field practices at old towns and villages in southwest China. The article made a case study on Southwest Field Club＇s public art practice to explore new approach to public art field creation, social intervention and field creation. The club＇s creation and practice is voluntary behavior which means they want to search and find natural and special dialogue relations.

关 键 词：公共艺术 田野创作 在地创作 社会介入 

分 类 号：J0[艺术—艺术理论]