诗性:音乐审美的一种维度——从维柯《新科学》“诗性”理论引发的思考  

A Dimension of Music Aesthetics: Based upon Poetic Theory Elaborated in Vico's New Science

作　　者：叶佳亮[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350108

出　　处：《艺术百家》2017年第3期195-199,共5页Hundred Schools In Arts

基　　金：2016年度福建省社会科学规划一般项目"对李斯特钢琴作品<旅行岁月>中呈现"虚实"表现手法的阐释研究"(项目编号:FJ2016B212)阶段性成果之一

摘　　要：维柯在其所著《新科学》中将"诗性"作为具有人类文化学意指的学理化核心词。当下,"诗性"概念已被广泛运用于文学审美讨论中,而将"诗性"运用于音乐审美,也是一种审美阐释路径。文章重点对音乐审美中的"诗性"及相关要素进行学理性探讨,以力求揭示音乐的诗性审美能够兼具对音乐本体切实合理的解读,及其在音乐主体丰厚的智慧底蕴之上的本真呈现。＂New Science＂, Vico takes ＂poetic quality＂ as the rationalized core word implying cultural anthropology. At present, the concept of poetic quality has already widely applied to the discussion of literature aesthetics. And it is an aesthetic interpretation route to apply poetic quality to music aesthetics. In this paper, I mainly discuss the poetic quality of music aesthetics and relevant factors, so as to disclose the poetic aesthetics of music and try best to make a rational understanding of the essence of music.

关 键 词：音乐艺术 维柯 诗性 《新科学》 音乐审美 音乐言说 

分 类 号：J70[艺术—舞蹈]