艺术传播视野下的“冗余”与经典建构  

“Redundancy”and the Construction of Classics from the Perspective of Art Dissemination

作　　者：翁再红[1] Weng Zaihong

机构地区：[1]南京艺术学院艺术学研究所

出　　处：《民族艺术研究》2017年第3期42-50,共9页Ethnic Art Studies

基　　金：国家社科基金艺术学青年项目"艺术传播学视域中的经典建构与传承研究"(项目编号:12CA068)阶段性成果;"江苏省文化创意协同中心"项目资助~~

摘　　要：立足于艺术传播视野,对"冗余"这一信息传播重要概念的研究,可以为经典建构问题提供更具开拓性的考察路径。艺术经典的建构过程深受各种艺术惯例的影响,这些惯例恰恰是艺术传播过程中最具代表性的冗余形态。从宏观到微观,它们至少在"民族惯例""内容惯例"和"形式惯例"三个层面体现了艺术品的"冗余"信息与经典建构之间的密切关联。在此意义上,艺术品的"冗余"信息并非作品的多余成分,而是审视作品能否以及如何进入经典序列的重要参照系之一。From the perspective of art dissemination, the research of redundancy, an important concept in in- formation dissemination, provides an innovative investigative method for the construction of classics. The con- struction process of artistic classics is deeply influenced by various artistic conventions which can be seen as best examples of redundancy in the artistic dissemination. From macro to micro levels, at least three levels can be seen in regard to the relationship between the redundancy of art works and the construction of clas- sics ： ethnic convention, content convention and form convention. At this point, the redundancy of art works is not a redundant part of the works, rather, it is one of the crucial parameters to examine whether or how an art work can be assessed in a serial of classics.

关 键 词：艺术传播 冗余 惯例 经典建构 

分 类 号：J022[艺术—艺术理论]