从严羽《沧浪诗话》“妙悟”说论诗人主体性  

The Poet's Subjectivity in Yan Yu's “Enlightenment Theory” in “Changlang River Poetry”

作　　者：孟凡萧[1] 殷学明[1] 

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《哈尔滨学院学报》2017年第7期70-74,共5页Journal of Harbin University

基　　金：国家社科基金项目:项目编号:15BZW021

摘　　要："妙悟"说是严羽《沧浪诗话》的主旨,是其"以禅喻诗"的关键,历来被研究者所重视,但在对《沧浪诗话》的研究中,研究者对"妙悟"说所体现的诗人主体性着墨较少。文章主要从"妙悟"说所包含的鉴赏和创作两个维度来论证诗人的主体性,通过鉴赏方面诗人"参而入识","识而悟入"的动态过程和在创作方面诗人"悟而入神"的动态过程来论证诗人的主体性。Yan Yu’s enlightenment theory is the theme of “Changlang River Peotery” where the key is to explain poetry with Buddhism. There is less study on the poet＇s subjectivity in present studies on “ Changlang River Poetry？ The poet’s subjectivity is analyzed from the dimensions of appreciation and creation. The poet5 s subjectivity is proved from appreciation as-pect of understanding and the dynamic process of enlightening.

关 键 词：妙悟 诗人 主体性 《沧浪诗话》 以禅喻诗 

分 类 号：I207.22[文学—中国文学]