从伎乐供养人图像看希腊化对佛教美术的影响  

Reviewing The Influence of Hellenistic Religion on Buddhist Art from The Images of Jiyue Worshippers

作　　者：陈晓露[1] 

机构地区：[1]中国人民大学出土文献与中国古代文明研究协同创新中心

出　　处：《故宫博物院院刊》2017年第4期105-118,共14页Palace Museum Journal

基　　金：国家社科基金重大项目"希腊化文明与丝绸之路"(项目批准号:15ZDB059)研究成果之一

摘　　要：文章关注了早期佛教艺术中的世俗伎乐供养人("伎乐人")图像,认为其形象源自于印度现实生活中乐伎、舞女等社会地位较为低下的供养者,后受到希腊化艺术影响,表现为载歌载舞的伎乐人队列。由此,作者推断,中亚、西域等地流行的行像等佛教仪式,其形成可能受到了希腊宗教举行节日庆典习俗的影响,这与佛教逐渐通俗化的过程相一致。It is studied in the thesis that the images of secular Jiyue worshippers in the early Buddhist art are modeled after those of the entertainers from the humble social class of India. The Jiyue performers are on parade dancing and chanting and playing instruments, which is similar to Dionysian scene in the Hellenistic art. It is thus thought iconologically and historically that in central Asia and western regions the Buddhist rites followed the way that the Hellenistic religious festivals were celebrated, when Buddhism was getting popularized gradually.

关 键 词：佛教艺术 伎乐供养 希腊化 犍陀罗 西域考古 

分 类 号：J19[艺术—艺术理论]