现代性碎片的解剖与审美——从齐美尔到法兰克福学派的碎片思想谱系解读  

The Anatomy and Aesthetic on Modernity Fragments: on the Thought Genealogy of Fragments from Simmel to Frankfurt School

作　　者：杨向荣[1] 

机构地区：[1]浙江传媒学院文学院

出　　处：《文艺理论研究》2017年第4期48-54,共7页Theoretical Studies in Literature and Art

基　　金：国家社科基金"齐美尔与法兰克福学派文艺理论的关联研究"[项目编号:10CZW007]成果

摘　　要：在齐美尔的审美思想中,印象主义式的现代性审美体验源于对碎片的关注,他在碎片中建构审美救赎路径。齐美尔思想中的现代性审美碎片主题在克拉考尔、布洛赫和本雅明等法兰克福学派学者的文本中得到了延续与拓展。克拉考尔强调现代性碎片的历史本真复原,布洛赫诉求现代性碎片中的哲学隐喻,本雅明则希望在碎片和废墟的拾荒中实现现代人的审美救赎。关注碎片已成为他们文本中的共同标签和印记,也建构了从齐美尔到法兰克福学派的现代性碎片审美思想谱系。In the aesthetic of Simmel,the impressionism style of aesthetic experience of modernity comes from the attention to fragments,and he constructs an aesthetic redemption path in the fragments. The aesthetic modernity fragments theme of Simmel continues and amplifies in the text of Frankfurt School,such as Kracauer,Bloch and Benjamin. Kracauer emphasizes the historical natural restoration of modernity fragments,Bloch resorts to philosophical metaphor of modernity fragments,and Benjamin hopes to achieve modern people＇s aesthetic redemption in the fragments and ruins. Fragments and ruins have become the common tags and marks in their texts,which constructes the aesthetic thought Genealogy of modernity Fragments from Simmel to the Frankfurt School.

关 键 词：现代性碎片 齐美尔 法兰克福学派 审美 谱系 

分 类 号：B83-09[哲学宗教—美学]