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作 者:薛其龙
机构地区:[1]云南大学文学院 [2]云南师范大学文理学院
出 处:《河南教育学院学报(哲学社会科学版)》2017年第5期43-46,共4页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基 金:2015年云南大学管乔中中文创新奖学金调查研究基金一般项目"村落审美知识的分析;建构与反思--当代画家与圭山采风村的艺术人类学研究"
摘 要:村落审美知识生产是村落特定文化语境下,村落主体之间多维互动而产生的结果。在知识急速传播的当代,村落审美知识发生了重大变化,并具有了新的生产动机、意义和困境。村落审美知识生产可分村落内部传统的知识生产与互动性的知识生产,主体包括村内的村民、文化精英和村内的他者。关注村落审美知识个案语境、困境,分析村落主体和呈现相关田野案例,描述与分析村落审美知识生产的基本概况,具有一定的学术价值。Village aesthetic lage subjects in the village the village aesthetic knowle and plight. The production knowledge production is the multi-dimensional interactive result between the vii- specific cultural context. In the current era of rapid dissemination of knowledge, dge has been major changes, and has a new production motivation, significance of village aesthetic knowledge can be divided into the traditional knowledge pro- duction and interactive knowledge production within the village, and the main content includes villagers in the village, the culture elite and the others in the village. Pay attention to the context and plight of village aesthetic knowledge, analyze the subject and present the related fields case, describe and analyze the basic situation of village aesthetic knowledge production, which has certain research value and feasibility.
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