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作 者:赖大仁[1]
机构地区:[1]江西师范大学文学院当代形态文艺学研究中心,教授江西南昌330022
出 处:《学术月刊》2017年第9期102-108,共7页Academic Monthly
基 金:国家社科基金重点项目"当代文学理论观念的嬗变与创新研究"(12AZW004)的阶段性成果
摘 要:新时期以来,当代中国文论在变革发展中不断进行学科反思,也不断寻求当代文论话语体系重建。1990年代中期之后,文论界先后有过关于"失语症""反本质主义"和"强制阐释论"等几次影响较大的学科反思,引起了较为广泛的争论。当今更值得关注的应是当代中国文论的"自我迷失"问题,具体表现为作为"文学理论"之学科特性的迷失,作为"中国文论"之主体身份的迷失,作为"当代"文论之当代品格的迷失。有必要对上述问题进行更深入的学科反思,进而探讨当代中国文论话语体系建构的理论基点问题。这些问题关涉到当代文论建构所要面对的现实需要、学科定位和理论形态,它所依据的文学事实或文学对象,以及建构的思路和价值目标等。Since the new period, the contemporary Chinese literary theory has been constantly subject to reflection in the process of reform and development, and we have also been seeking the reconstruction of the discourse system of contemporary literary theory. Since the middle of the 1990s, there have been several reflections on the subject, such as 'Aphasia', 'anti-essentialism', 'forced interpretation', which have caused a great deal of controversy. The more concern should be the 'self-lose' of China contemporary literary theory, specifically, as the loss of the discipline characteristic of literary theory, the loss of the subject identity of Chinese literary theory, the loss of the contemporary character of contemporary literary theory. It is necessary to reflect on the above issues further, and then discuss the theoretical basis on the construction of the discourse system of contemporary Chinese literary theory. These questions are related to the practical demand, disciplinary orientation, theoretical form, and the literary facts or literary objects on which they are based, as well as the thought of construction and value goals.
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