图像时代的文学镜像及其视觉归趋  

Literary Image in the Era of Picture and its Visual Trend

作　　者：黄继刚[1,2] 杨文欢 

机构地区：[1]阜阳师范学院文学院 [2]华中师范大学文学院 [3]西南大学文学院 [4]<浙江工商大学学报>

出　　处：《云南社会科学》2017年第5期171-178,共8页Social Sciences in Yunnan

基　　金：国家社会科学基金青年项目"后现代空间美学的关键词研究"(项目号:15CZW003);安徽省优秀青年人才重点基金(皖教人[2014]181);安徽省人文社会科学重点项目"国家非遗传承人口述史"(项目号:SK2017A0304)的阶段性成果

摘　　要：语言文字和图像文化的应运而生之间有着无可回避的默契,从"图"到"文"的更迭和演进被视为历史文明的重要进程。这也要求研究者既要从语言艺术的本体论视角也要从文化社会学的立场上来展开对图像的有效阐释,尤其是要从当下的"文学图像化"的社会现状判断进入"文学图像论"的学理分擘和例证,而"语象"概念无疑为研究"文学图像"提供了重要的理论支持。此外,图像本体的阐释路径解构了传统艺术活动当中的固有平衡,图像日益成为一种习焉不察的虚假意识形态,并为人们的现实遭逢设置了种种想象性关系。图像所建构出来的真实谎言,也引起人们对"观看之道"的再度审视。There is a tacit understanding between language and image culture,which is regarded as the progress of civilization from'image'to'text'.It also requires us to elucidate image from both the angle of language arts and cultural sociology,from current literature image visualization estimation into literature image theory.The concept of'verbal image'research definitely provide the important theory support for'literature image'for us.Furthermore,the image of the ontology interpretation deconstructs the balance of traditional art.Image increasingly become a kind of false ideology,provide various kinds of imaging relationship for our real life experiences.The true lies constructed by images also triggered our re-examination of'way of Looking.'.

关 键 词：图像 语象 视觉归趋 “文学镜像” 

分 类 号：I01[文学—文学理论]