德国电影中的华人形象和中国形象——以三部德语故事片为主的分析  

Images of China and Overseas Chinese in German Films——An Analysis of Three German Feature Films

作　　者：周海霞[1] ZHOU Hai-xia(Department of German, Beijing Foreign Studies University, Beijing 100089, China)

机构地区：[1]北京外国语大学德语系,北京100089

出　　处：《华侨华人历史研究》2017年第3期35-43,共9页Journal of Overseas Chinese History Studies

基　　金：国家社会科学基金重大委托项目"语言大数据挖掘与文化价值发现"(项目号:14&ZH036)之子课题"国家形象研究"的阶段性成果

摘　　要：论文以三部华人题材的德语故事片为样本,分析了三部影片的内容及其与德媒涉华报道之关联、三部影片中的中国文化元素以及德国人关于华人和中国的刻板印象。分析显示,影片都设定有与其主题相应的、关于中国和华人群体的总体性认识框架,在该框架下影片将德国社会关于中国和华人的各种具体认知融合在一起,这些框架包括中国经济崛起框架、对华政治偏见框架、华人非法移民框架等。华人题材的德语影片对于中国形象和华人形象的建构,一方面与德国媒体涉华报道之间存在紧密的关联,另一方面与其他西方国家的华人题材电影之间具有一定的共性。Based on the research of three German feature films exploring the lives and stories of overseas Chinese, this study analyzes the film contents and the connections between these films and German media＇s reporting on China, and also the Chinese elements of culture in the films and stereotypes about China and overseas Chinese held by Germanies. The analysis shows that the films had been set in frames related to the themes of China and overseas Chinese before they were produced. Under those frames, the films combined different views of China and overseas Chinese that were held by the general German public. These frames include the rise of Chinese economy, stereotyping in Chinese politics, and illegal Chinese immigrants. The portrayal of images of China and overseas Chinese in German films has a close connection with German media coverage of China and shares certain similarities with films about overseas Chinese in other western countries.

关 键 词：德国 影视作品 中国形象 华人形象 文化元素 收视率 德国媒体 

分 类 号：D634.3[政治法律—政治学] J905[政治法律—中外政治制度]