图像、身体与死亡:汉斯·贝尔廷“图像的具身化”  

Images,Bodies and Death:On Hans Belting's “the Embodiment of Images”

作　　者：刘铮[1] LIU Zheng(Department of Philosophy, Peking University, Beijing 100871, China)

机构地区：[1]北京大学哲学系,北京100871

出　　处：《重庆邮电大学学报（社会科学版）》2017年第5期101-106,共6页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：国家社会科学基金项目:身体视阈中技术与艺术的交互问题研究(15BZX037)

摘　　要：汉斯·贝尔廷提出"图像媒介身体"三位一体的图像人类学理论,以身体为核心,旨在强调身体之于图像的重要性。一方面,对图像的制作、感知和理解皆是通过身体来完成的;另一方面,身体也承载着记忆、想象、梦等心灵图像。与此同时,制作图像的原始动机在于对死亡的克服,这就使得图像与影子一样不但是对死者身体的真实复刻,而且也把图像赋予灵魂,是死者身体活生生的再现,表现为死者图像的"具身化"。我们可以借助胡塞尔的图像意识的现象学来更好地理解图像的"具身化"问题。Hans Belting＇ s theory of image anthropology can be characterized as the ＂Image Medium Body＂ structure, and the body as the core element to his image theory. On one hand, the body can produce, perceive, and understand the images. On the other hand, the body also conveyed memories, imaginations, and dreams. Meanwhile, the primary motivation of producing images is overcoming the death ; therefore, both images and shadows are not only the real copy of the dead bodies, but also ＂give＂ the souls to images in order to vividly represent the dead bodies, that is so-called ＂the embodiment of the images＂. What＇s more, Husserl＇ s phenomenology of image consciousness can give us a better understanding to Belting＇ s concept of ＂the embodiment of images＂.

关 键 词：汉斯·贝尔廷 图像 身体 死亡 具身化 

分 类 号：J0[艺术—艺术理论]