通约性:对“现代游戏”的文化遍历  

Commensurability:Culturally Traverse the Modern Game

作　　者：邓剑[1] Deng Jian

机构地区：[1]上海大学文化研究系

出　　处：《文学与文化》2017年第3期114-123,共10页Literature and Culture Studies

摘　　要：从游戏程序到游戏环境,游戏正成为这个时代的支配性文化体裁。这种支配性很大程度上体现为游戏的内容与结构在各种文化体裁里的互译与共享,也就是笔者所谓的"游戏通约"现象。本文通过对游戏纸媒、游戏声媒、游戏视频三种媒介形式的分析,遍历分析了这个通约现象。同时指出,游戏通约并非源自游戏的固有特性,而是游戏这种文艺被收编为权力/资本的掮客,为它们代言的结果。The modern game is becoming the dominant cultural genre of this era in one drastic changing game history. This dominance is largely reflected in the content and structure of the game, which translated and shared among the cultural genre. I called this phenomenon ＂Game Commensurability＂.This article has traversed this cultural phenomenon through analyze game print, game-sound media, and game video. At the same time pointed out that this phenomenon is not derive from game program itself,but game as one art which ruled by power and capital.

关 键 词：通约 游戏 游戏小说 游戏音乐 游戏直播 

分 类 号：G898[文化科学—体育学]