审美、人道与革命——浪漫主义是如何超越政治的  

Aesthetics,Humanity and Revolution——How does romanticism transcend politics?

作　　者：刘锋杰[1] LIU Fengjie(School of Humanities, Soochow University, Soochow 215123, China)

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《合肥师范学院学报》2017年第5期1-9,共9页Journal of Hefei Normal University

基　　金：国家社科基金项目"文学政治学的历史形态与当代创新研究"(13BZW002)的阶段性成果

摘　　要：浪漫主义文学与人的自由、反抗暴政、民族独立、民众解放相表里,深深地卷进了政治冲突,提供了文学政治的一种样态。但浪漫主义坚守文学本位,视情感为文学的本质,用自己的想象去展开对于政治的最高追寻,在审美的状态下实现了文学与政治的结合。席勒通过对"审美法典"的分析达到了这一认识,而雨果则通过人道主义的创作表现了这一超越。Romanticism and human freedom, rebellion, national independence, and popular liberation are deeply involved in political conflict, providing a pattern of literary politics. But romanticism adheres to the literary standard, as the emotional nature of literature, with their own imagination to start the highest pursuit of polities, in the aesthetic state to achieve a combination of literature and politics. Schiller achieved this understanding through the analysis of the Aesthetic Code, and Hugo showed this transcendence through humanitarian creation.

关 键 词：浪漫主义 席勒 雨果 审美 人道 超越 

分 类 号：I109.9[文学—世界文学]