复调理论与生存世界的主体间性——从巴赫金诗学看莫言小说的复调叙事  

Polyphony Theory and Intersubjectivity in the Living World——On the Polyphonic Narrative of Mo Yan's novels from Bakhtin's Poetics

作　　者：周卫忠[1] 宋丽娟[2] 

机构地区：[1]广东技术师范学院文学院,广州510665 [2]河源职业技术学院文学院,广东河源517000

出　　处：《齐鲁学刊》2017年第5期155-160,共6页Qilu Journal

基　　金：广州市哲学社会科学规划项目"巴赫金诗学与哲学视域中的莫言创作研究"(14Y17)

摘　　要：莫言以复调叙事肯定生命主体在场的内在精神与逻辑视角与巴赫金的对话思想相吻合,其创作通过人物的内心对话、现实与寓言的交融、视角的切换等方式构建了一个以平等对话为基础的主体间性生存世界,表现出生命存在本真的边界模糊与无序状态,为小说文本的多义性提供了广阔的空间,亦使之成为一个多所指、多中心对话交往的主体间性话语场域,表现出鲜明的后现代意义。The inner spirit of the subject and logical perspective that Mo Yan＇s polyphonic narrative certainly presents,are consistent with Bakhtin＇s theory of dialogue,its creation through the character＇s inner dialogue,the blend of reality and fable,the switch of the perspectives etc.construct a world of intersubjectivity that based on the equal dialogue between the main subjects,show the fuzzy boundary and the disordered state of human＇s nature-existents,which provides a broad space for the polysemy of the novel text,makes it become the discourse field of intersubjectivity with more referents and more dialogues and shows the distinct significance of postmodern.

关 键 词：巴赫金诗学 莫言小说 复调叙事 主体间性 

分 类 号：I206.7[文学—中国文学]