“善”之观看与视觉技术  

“Good”Seeing and Visual Technology

作　　者：祁林[1] 

机构地区：[1]南京大学艺术研究院,江苏南京210093

出　　处：《学术界》2017年第10期74-84,共11页Academics

基　　金：国家社科基金艺术学一般项目"艺术的技术文化学研究"(项目号:15BA012)阶段性成果

摘　　要：在漫长的历史进程中,人类社会形成了两种关于"观看"的伦理/道德范式,一是立足于张扬主体性的观看之"善",其导向是一种强调自由的、认知真理的"看";二是立足于一种"善"的观看结构的营造。现代性以降,循着这两条线索,观看技术也形成了两条不同的技术伦理/道德范式。一是鼓吹"眼睛延伸"的技术是道德/伦理指向的,即视觉技术"应该"让人们看得更多、更远;二是强调视觉技术首先"应该"营造一种"善"的观看结构,而这正是20世纪后阿多诺、福柯等思想家着力批判的技术之恶。Two kinds ethical/moral paradigms of 'seeing'are shaped by human society in the long history. One is the 'good'look based on the promoting the subjectivity,its orientation focuses on freedom and cognitive truth. The other is based on a construction of the seeing of 'good'structure. Since modernity,follow these two clues,visual technology also formed two different technical ethics/moral paradigms. One is advocating the'eye extension'which is moral/ethic orientation.That is to say,visual technology 'should'let people see the more and farther world;the other is to emphasize the visual technology'should'create a good viewing structure which is based on the criticism of evil of technology by the 20 th century thinkers such as Adorno,Foucault and others.

关 键 词：观看 伦理/道德 技术 

分 类 号：B82-057[哲学宗教—伦理学]