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作 者:王晓茹[1]
机构地区:[1]福建师范大学音乐学院
出 处:《民族艺术研究》2017年第5期126-133,共8页Ethnic Art Studies
基 金:2015年度国家社科基金艺术学规划项目《西周雅乐舞文化及其当代复兴研究》(项目编号:15BE062)的阶段性成果~~
摘 要:在中国历史上对"乐"的价值定位有着一种诡秘的现象:一方面,上古尧舜时代乃至先秦儒家均将"乐"推崇至极高的位置,秉承"乐学"为国学之根脉、治道之根本,故而乐学圣隆,礼乐达于天下;另一方面,自秦汉以后"礼乐志"在正史中逐渐被边缘化,"乐"沦为渲染皇室威仪的工具,故而乐学衰微,礼乐仅为虚名。究其原因,造成此现象的根源在于对古乐原义认识上的严重偏离,是故,本文从历史与逻辑的双重维度来考析古乐深层的原义,反思其千年久蔽的症结,以期为中华乐教的当代复兴提供一份有意义的参考。There exists a mysterious phenomenon in Chinese history in regard to the definition of the value of Yue. On one hand,Yue was upheld at a superior position during the period from the Yao-Shun times to the pre-Qin Confucius times. During that time,Yue was regarded as the root of Chinese classics and the basis of governance; therefore,Yue was highly recognized by the rulers,and rites and music were spread throughout the country. On the other hand,"Li Yue Zhi"became marginalized in official history after the Qin-Han period; and Yue was regarded as a tool embellishing the royal authority with the result that Yue studies declined and Li Yue was kept just as a name. The basic reason for this lies in the severe divergence in the understanding of the original meaning of ancient Yue. Therefore,this paper investigates the deep original meaning of ancient Yue from both historical and logical dimensions,rethinking the crux of its thousand-years declination and providing a beneficial reference to current renaissance of the learning of Chinese Yue.
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