唐代咏物诗对六朝诗人创作观的继承和发展  

On the Inheritance and Development of the Chanting Poetry in Tang Dynasty from Six Dynasties Poets' Creating View

作　　者：钟志强[1] ZHONG Zhi-qiang(School of Literature, Nanchang Normal University 33003)

机构地区：[1]南昌师范学院中文系,江西南昌330032

出　　处：《广西职业技术学院学报》2017年第5期101-103,共3页Journal of Guangxi Vocational and Technical College

基　　金：江西省高校人文社会科学研究项目:六朝咏物诗人意象观史论(编号:ZGW1518)阶段性成果;江西省社会科学研究"十二五"规划项目:汉魏六朝咏物诗及其诗学思想研究(编号:15WX21)阶段性成果

摘　　要："形神兼备"向来为论者用来形容唐代成熟的咏物诗。咏物诗的成熟离不开六朝诗人的探索与实践。该文以唐代咏物诗作品为例,分析六朝诗人的创作本体观、意象观、形神观及其在唐代咏物诗中的具体表现。The unity of form and spirit has long been used by scholars to describe the chanting poetry of Tang Dynasty. The maturity of the chanting poetry is closely related with the exploration and practice of the poets in Six Dynasties. This paper takes the works of chanting poetry in Tang Dynasty as example, and analyzes creating notion of reality, views of image and the body and spirit as well as the specific manifestation in the chanting poetry of Tang Dynasty.

关 键 词：咏物诗 六朝 意象 形神 

分 类 号：I207.22[文学—中国文学]