论古琴文化中的和合思想  

On the Thought of Concordance in Guqin Culture

作　　者：戴昕萌 温波[1] 

机构地区：[1]苏州科技大学教育与公共管理学院,江苏苏州215009

出　　处：《常熟理工学院学报》2017年第6期44-50,共7页Journal of Changshu Institute of Technology

摘　　要：和合思想是古琴文化中的主要指导思想和审美原则。古琴形制暗合阴阳之道,在选材斫制的过程当中讲究阴阳调和。古人根据五音的特性将五音与四时五方相结合,贯彻了律历融通的观念。琴艺上,指法和技法的"声韵并茂"实现了虚实相生,轻重缓急的节奏达到了刚柔相济。在山林水云间融情入景,于花木禽鸟上寄托情怀,天地与我合一,万物与我同化是中国人自古以来追求的和合之境。汉字拆解重组成琴谱,是古琴独有的记谱系统。传承有序的地域流派,展示出和合文化在中原大地上的丰富性。Harmony is the main guiding ideology and aesthetic principle of Guqin culture. Crafting Guqin is a process concerned with the balance of yin-yang. The shape and materials also coincide with the yin-yang phi-losophy. Ancient Chinese people regarded the pentatonic scale equally with the four seasons and fve directions, and they conceived that these notes on Guqin coexisted with the natural calendar. The various playing tech-niques and complicated rhythm are deeply connected with their body pulsing. To integrate their emotions into the immense universe full of mountains, forests, rivers, clouds and all the living beings, the Chinese people have been pursuing the nature-human integration since ancient times. The tablature of Guqin is a unique system re-constructed from the Chinese characters. Various genres are inherited among many districts in China, which is an evidence of the diversity of the harmony ideology.

关 键 词：古琴 和合 天人合一 

分 类 号：B2[哲学宗教—中国哲学]