“现代”的文学与“民国”的四川--对沙汀1930年代小说的历史化读解  

The Literature of “Modernity”and Sichuan of “Republic of China”——Historicized Interpretation of Sha Ting's Local Novels in 1930s

作　　者：谢力哲[1,2] 

机构地区：[1]上海交通大学人文学院,上海200240 [2]School of Humanities & Languages,University of New South Wales

出　　处：《西华师范大学学报（哲学社会科学版）》2017年第6期47-54,共8页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：川籍左翼作家沙汀致力于对军阀时代四川农村苦难现状进行艺术性地再现,在其1930年代创作的短篇小说中谱写了步入"民国"后处于军阀治下的西蜀农村的苦难悲歌。在文学与历史交互关系的视野下,就沙汀的三篇代表性作品《丁跛公》《在祠堂里》和《代理县长》进行本土性的历史化读解,以发掘这些为数不多的以军阀时代的四川农村为题材的现实主义文学创作背后严峻而厚重的历史内涵。本文指出,沙汀通过熔铸自己切身经历和生活感受,通过对军阀时代四川农村苦难现实进行文学再现,在四川乡土题材的创作中将审美维度的"现代性"与历史维度的"民国性"实现了有力的交汇与生动的融合。The left-wing writer Sha Ting born in Sichuan devoted himself to the artistic representation of suffering in the rural areas of Sichuan in the era of warlords. His local novels composed in 1930s reflected the suffering life of Sichuan countryside under the warlords＇ control. From the perspective of mutual reflection between literature and history,this paper tries to make a historicized interpretation of Sha Ting＇ s three representative short stories：The Lame Ding, In the Ancestral Hall and The Acting County Magistrate,exploring the grave and heavy historical impli- cations of these realistic works to expound Sha Ting＇ s literary representation of modernity in describing the suffering and misery in the rural areas in Sichuan based on his own local experience and personal experience. In the creation of his local theme, Sha Ting achieved the strong convergence and vivid integration of the literature ＂modernity＂ from the aesthetic dimension with Sichuan of ＂Republic of China＂ from the historical dimension .

关 键 词：沙汀 军阀时代 四川农村 左翼文学 

分 类 号：I06[文学—文学理论]