融通创新：构建面向未来的新诗美学--兼谈传统诗论与现代诗论的关系  

Integration and Innovation: the Construction of the Aesthetics of Poetry for the Future,also on the Relationship between Traditional Poetics and Modern Poetics

作　　者：张吕坤 韦施伊 

机构地区：[1]华东师范大学,200241

出　　处：《文艺理论研究》2017年第6期122-128,共7页Theoretical Studies in Literature and Art

摘　　要：新诗发展已逾百年,这一个百年是中国社会形态、文化症候发生重大改变的百年。以继承传统和反叛传统为主线的新诗发展,不管它如何承担物态化的社会重任或者受西方文化影响表现出"现代性",实则是在构建新"传统"的范畴之下。新诗及其诗论以具体的创作实践获得合法性来源,并且它们的实践活动基于融通的视野和开阔的时代语境。这样的历史语境亦是新诗、诗论所要面临的机遇与挑战。融通创新乃至建立一个博大的理论胸怀是构建面向未来的新诗美学的主要特征,它在兼有历史纵深、跨文化、未来性的情况下,给予新诗足够的理论支撑。Modem poetry has a history of more than one hundred years, during which period China＇s social form and cultural symptoms have undergone significant changes. Centering on the inheritance and rebellion of traditions, the development of modem poetry is essentially categorized within the construction of new ＂tradition＂, no matter how it assumes social responsibilities of materialization, or turns into ＂modernity＂ affected by Western cultures. It is expected that modem poetry and poetics get their legitimacy through practice in the real world situation, on the basis of an integrative vision and an open historical context of the era which brings opportunities as well as challenges. In this respect, the construction of the aesthetics of modem poetry for the future lies in integration, innovation, and a broad theoretical mind, which can provide strong theoretical support in the context of historical depth, cross-culture, and futurity.

关 键 词：融通 跨文化 语境 新诗论 传统 

分 类 号：I207.2[文学—中国文学]