海派文化商业性特质之于1920年代中国商业电影  

On the Chinese Commercial Films in 1920s from the Perspective of Commercial Characteristics of Shanghai Style Culture

作　　者：衣凤翱[1] 

机构地区：[1]上海戏剧学院,上海200040

出　　处：《吉林艺术学院学报》2017年第2期56-61,共6页Journal of Jilin University of Arts

摘　　要：1920年代的中国商业电影历史地显现出类型化形态与明星化形态两大分化。这一时期中国电影中上海影像的商业化趋向缘于海派文化的都市消费文化属性,亦为海派文化的商业性特质在1920年代中国电影中的影像化表征。1920年代中国电影中上海影像的类型化形态与明星化形态的出现均为中国电影面对巨大的市场压力而采取的生存策略。此时沪片的类型化形态的全视全听实现与明星化形态的全视全听实现既孕育着海派文化更缘自海派文化。The Chinese commercial films in 1920 s have historically shown the two different patterns of type and star. During this period, the urban consumption culture attribute of Shanghai culture is the reason for the commercialization of Shanghai images in Chinese films, and that also is the image representation of commercialization of Shanghai culture in the 1920 s Chinese Films. The appearances of type and star patterns of Shanghai images in the 1920 s Chinese films are the survival strategies of the Chinese film industry in the face of huge market pressure. At this point audio-visual achievements of type and star patterns of Shanghai film not only nurture but also originate from Shanghai culture.

关 键 词：海派文化 商业性 1920年代 中国电影 商业电影 上海影像 

分 类 号：J909[艺术—电影电视艺术]