现代汉诗抒情传统的理论建构——以张错为中心  

The Theoretical Construction of Lyric Tradition in Modern Chinese Poetry——Focusing on Zhang Cuo

作　　者：苏文健[1] 

机构地区：[1]华侨大学文学院

出　　处：《华侨大学学报（哲学社会科学版）》2017年第6期129-140,共12页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：华侨大学中央高校基本科研业务费资助项目(14SKGC-QG05);福建省社会科学规划项目"代际视野下海外华人学者的新诗批评研究"(FJ2016C186)

摘　　要：美国华人学者张错自觉将"抒情传统"挪用到现代汉诗研究领域,以此梳理与探察现代汉诗抒情传统的发展脉络与美学歧异。张错对现代汉诗抒情传统的理论建构,着力探赜现代汉诗语言内在的演变规律,旨在从语言本体论的角度剖析其自律与他律的辩证关系,并注意在史诗与抒情的颉颃中凸显被压抑的抒情声音。这种论述对现代汉诗的抒情特质、诗学意义等进行重新解诂,重划两岸四地现代汉诗史的版图,彰显现代汉诗研究的海外经验。现代汉诗抒情传统的理论建构,不仅在学理上接续历史的整体性,彰显批评理论中独特的整体观,而且在心理上消弭文化乡愁的焦虑与身份认同的危机,为追寻与建构"文化中国"提供了一条可能性的路径。Zhang Cuo applies"lyric tradition"to modern Chinese poetry,by which he combed and explored the development history of modern Chinese poetry.Zhang Cuo's research on lyric tradition of modern Chinese poetry focus on the evolution of the language of modern Chinese poetry,analysis the dialectic relation of self-discipline and heteronomy from the perspective of language ontology,and highlights the lyric voice in the rivalry of the epic and lyric.This treatise resolves the lyric character and poetic significance of modern Chinese poetry,redraws the map of the history of modern Chinese poetry in four districts of cross-straits,and demonstrates overseas experience in the study of modern Chinese poetry.The theoretical construction of lyric tradition in modern Chinese poetry,not only in theory continues the history of integrity,highlights the unique overall view in critical theory,but also on psychological relieves anxiety in cultural nostalgia and identity crisis,which provides a possible path for the pursuit and construction of "cultural China".

关 键 词：张错 现代汉诗 抒情传统 身份认同 华语语系文学 

分 类 号：I226[文学—中国文学]